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Chuck Jones 2267 N. Kedzie #2 Chicago, IL 60647 dddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddddd |
| E d u c a t i o n |
| 1997 MFA School of Art and Design,
University of Illinois at Chicago 1995 Post-Baccalaureate Certificate School of the Art Institute of Chicago 1993 BA (Studio Arts/ European History) Connecticut College, New London, CT |
| E x p e r i e n c e |
Adjunct Faculty, Core
Studies, First Year Program |
| Visiting Assistant Professor,
School of Fine Arts Indiana University, Bloomington Fall 2003 to Present Taught 2 Digital Art courses and one 3D Foundations courses. Developed and taught a lecture course for up to 60 students, Digital Imaging for Non-Majors,which covered Adobe Photoshop for an entire semester. Also taught similar course for majors that also covered HTML and Macromedia Director. |
| Adjunct Faculty, Sculpture
Program, Intro to Sculpture School of the Art Institute of Chicago: Spring 2003 Responsible for teaching basic artistic and sculptural skills and concepts, with a focus on developing a rigorous approach to responsible artistic decision making. |
Adjunct Faculty, Dept.
of Art |
| Adjunct Faculty, 3D Design
First Year Program School of the Art Institute of Chicago: Fall 2000 to Present Responsible for teaching basic 3D skills and techniques. While main goals include fostering 3 dimensional thinking, conceptual integrity, and sound building practices, the class also focuses on maintaining an overall thematic gameplan. Documentation of student work provided upon request. |
| Faculty, First Year Program
Woodshop School of the Art Institute of Chicago: Fall 1997 to Spring 2000 Responsible for one on one basic skills instruction and problem-solving with over 180 first year 3D students a semester. Main goals include fostering 3 dimensional thinking, conceptual integrity, and sound building practices. Supervised teaching-assistant staff, maintaining equipment, and enforcing safety regulations |
| Instructor, Early College
Program School of the Art Institute of Chicago: Summer 1999 Responsible for teaching twelve high school students casting and carving techniques on a college level. Created syllabus and curriculum, taught full day classes that ran consecutively for 10 days |
| Lead Teacher/Artist Gallery 37, Chicago: Fall 1997 Instructed/ managed 25 students/apprentice artists in an after school jobs art program for youth in a Chicago public high school. Developed a collaborative project, building a Pop Art sculpture of their school. Instructed students in both tools and materials and in relevant Art History. Also managed payroll and other business aspects of the project. |
Instructor, Introduction
to Drawing |
| Preparator Museum of Contemporary Art, Chicago: Summer 1997 Chicago Childrens Museum Summer: 1997, 1998, 1999 Gallery 400, Chicago: Fall 1996-Summer 1997 Installed exhibitions in both gallery and museum settings; worked in every part of installation from fabrication to gallery preparation to packing to installation. |
Editor in Chief, BLATS
Magazine |
| Selected Exhibitions |
|
| Ongoing | www.babygorilla.com |
| Chuck Jones Quarterly, a subscription based Art Dispersal System | |
| 2004 | Dang It Feels Good to Be a Gangsterer,Your Art Here(Billboard), Indianapolis, IN (Collaboration with Dana Sperry) |
| Fine Words, Butter, No Cabbage, Hyde Park Art Center, Chicago, IL (Curated by Anthony Elms) | |
| Big Survival Mechanism Give Away (for Whitewalls), Art Chicago, Chicago IL | |
| Apartment Series #3, Mattress Factory, Pittsburgh, PA (Curated by Jeremy Boyle) | |
| 2003 | Masterminds, Boom, Oak Park, Illinois (Curated by Rebecca Morris) |
| Now Showing, SOFA Gallery, Bloomington, Indiana | |
| Tune In Turn On Get Out and Stay Out, Dogmatic, Chicago, Illinois (Curated by Erik Brown) | |
| 2002 | The Realm of The Lair, Joymore, Chicago, Illinois (Curated by Ben Stone and Seibren Vierstieg |
| Biennial Faculty Show, Barat College, Lake Forest, Illinois | |
| S i x, Traumaspase, Chicago (In collaboration with Stephanie Brooks) | |
| 2001 | Compound Fracture, Hyde Park Art Center, Chicago (Curated by Erik Brown) |
| 2000 | Biennial Faculty Show, Barat College, Lake Forest, Illinois |
| 1999 | Boxed Set, Bodybuilder and Sportsman, Chicago (Solo) |
| 1998 | Live With It, 1228 N. Greenview, Chicago (Curated by Eliot Joslin) |
| The Harry Carey Show, DiverseWorks, Houston (Video Curated by Hamza Walker) | |
| 1997 | The Art of Furniture, Bodybuilder and Sportsman, Chicago (Curated by Tim Brower) |
| Overcoat: Mobile exhibition of art in a coat: various locations, Chicago (Curated by Jesse Bercowitz) | |
| Wholesome Goodness, Anytime, Anywhere, Gallery 400, Chicago (Co-Curated) | |
| 1996 |
A - O K, Mari’s Apartment, Chicago. (Curated by Mari Eastman and Amy Wheeler) |
| 1995 | The Bunny Show: The New Logomorphy, (Co-Curated) Base Space, Chicago |
| Cheap Art , Betty Rymer Gallery, Chicago. | |
| Selected Reviews and Articles | |
| Purcell, Greg, Cakewalk, A Mostly Unedited Cenversation with Chuck Jones About Some of the Things That He Does (with singing), Winter 2003, pp. 22-28 | |
| Speh, Scott, Bridge Magazine Online,
The Realm of the Lair http://www.bridgemagazine.org/1_03art/speh.html |
|
| Karl Erickson, A r t n e t . c
o m, Chicago Five, http://www.artnet.com/magazine/features/erickson/erickson8-18-00.asp |
|
| Purcell, Greg, New Art Examiner, Boxed Set, June 1999, pp. 42 | |
| Bulka, Michael, New Art Examiner, A - O K, December-January 1996-97, pp. 35-36 | |
| Bulka, Michael, New Art Examiner, Wanna Buy Some Art?, July-August 1997, pp. 22-27 | |
| Bill Stamets, New Art Examiner, Cheap Art, March 1995, pp. 40 | |
| Grants and Awards | |
| 1999 Illinois Arts Council Grant |
| Contributions | ||
| CD Artwork and Design | ||
| Toe, Varient, 2000, Truckstop Records | ||
| Toe, Toe 2000, 1998 Truckstop Records | ||
| Tricolor, Mirth + Feckless, 1999, Atavistic Records | ||
| Sculpture Fabrication | ||
| Stephanie Brooks: | Tabs, 2000, bass | |
| Paul Dickinson: | DanTien Subwoofer, 2001, audio sculpture | |
| Chakra Subwoofers, 2002, audio installation | ||
| I don't know what I like..., 2000, audio sculpture | ||
| Video Editing | Ben Stone:Radioland, 2002, Adobe After Effects and Protools Mastering | |
| Animation & Video Design | Balliwick Repertory:Now Then Again by Penny Penniston, 2000 | |